This effectively turns 100mm with an anamorphic lens into a 50mm. Keep in mind that when shooting with 2x anamorphic lenses, you are doubling your horizontal field of view. Features like 14-bit raw video, custom aspect ratios, and anamorphic monitor de-squeeze are tremendous features for shooting anamorphic on Canon.
Magic Lantern is an extraordinarily powerful addition available for almost all Canon DSLRs. Probably the strongest and most exclusive strength of shooting anamorphic lenses with Canon is the option of shooting with the free Magic Lantern firmware. Canon L glass lenses often contain more lens elements and groupings than other glass, which results in more potency for anamorphic flares. If you really like anamorphic flaring, then Canon DSLR lenses are also a good option to pair with anamorphic. In addition, the 58mm and 72mm front filter threads of those lenses are easily adaptable to almost all Isco anamorphic lenses. Canon L and FD glass is readily available and offer great modern prime lenses in the 50 and 85mm range for a low investment. The first strength lies not in the body of the camera but in the glass. As Canon cameras are far and away the most popular cameras for both photographers and DSLR filming, we thought we’d put together a short guide on getting the best anamorphic results with Canon cameras.
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